FROMFIRETOFRAME00:09:02:19ABOUT US
A wedding. The bride was my best friend's sister — and it was our first real job. You can't reshoot a wedding: get it wrong, and you ruin the only memory someone will ever have of that day.
Almost no experience, and even less daylight — this far north, in January, the sun barely clears the mountains. We planned the exact minutes the light would cross the church windows, where we'd stand for every vow, mics on the couple, mics on the priest, tripods locked down.
Night after night until it was exactly what we'd promised each other it would be. When the couple watched it, they cried. That was the day From Fire To Frame stopped being a hobby.
We shoot in Norway, where the light forces you to plan instead of trusting to luck, and we edit for clients anywhere in the world.
"THE FIRE IS THE PART THAT DOESN'T LAST.
THE FRAME IS WHAT YOU KEEP IF YOU WERE READY WHEN IT CAME."
I run every project start to finish: camera, drone, gimbal, wireless audio and lighting, all my own gear. Beyond production, I also have a background in marketing, public speaking, sales funnels and AI automation — so the video doesn't stop at "pretty".
I'm not the biggest crew. I'm not the cheapest option. What I am: the one who won't deliver a shot until it says what it needs to say.
If your brand needs a video that doesn't look like all the others, let's talk.